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2
Index
Introdution >< p. 4 >
About Solimán López >< p. 5 >
Museum >< p. 6 >
<resume >< p. 7 >
<what can be stored? >< p. 8 >
<events >< p. 9 >
<artists >< p. 10 >
+ Info >< p. 11 >
<staff>< p. 12 >
<documentation >< p. 13 >
<intangible manifesto >< p. 14 >
Pressbook >< p. 15 >
Contact >< p. 30>
3
Un proyecto desarrollado en ESAT LAB
www.esat.es
4
introduction
When we mention the word museum our mind will automatically connect it to architecture.
An architecture that within the social and cultural context, it has survived the complicated economic possibilities, but it has also faced the challenging cultural and structural
possibilities of our times.
With the high tech bubble and the example of great art centers as keystones of the
cities culture where they were built, brick became synonymous with culture.
But the concept of art, culture and its significance may find shelter in other environments. It represents an intangible asset that stands and grows within the collective
imagination, which might, or might not find shelter in a three-dimensional space.
Nowadays, this digital world is transferred into a society where word, expression and
all the channels of information are expanded via social networks, blogs, videos, as well
through an endless online offer.
Art itself is a living image of the society in which it is implemented; being precisely this
art the answer to what happens within each particular context.
For the times we are living, complicated and confused, new drawings are coming up on
the scenery of culture, the economy associated with the same and of course the artist`s
work, commissioners and curators within this wide framework.
Everything is being redraw and virtuality is making way with no expected ending, which
we undoubtedly have to understand, enjoy and organize.
The museum seen as an art center, cultural space, or gallery is completely connected
to the idea of a three-dimensional space offering an artistic and informative content of
interest.
But, does a hard disk itself may not be considered architecture? Isn`t the memory and
the artists work being represented on hanging walls, either projected or installed? Are
there no files in a museum? Does not the artist fingerprint remain printed on those
walls?
A museum can answer to all these questions, however in its broadest concept, etymologically right; a hard disk can also do it.
A hard disk enables the information to be organized into folders, allows this information
to be revealed and increased across peripheral devices and above all else, a hard disk
is a universe.
Harddiskmuseum, does not intend to diverge into a series of alternative proposals, moreover, it tries to join urban art, netart and other fundaments to talk about this art structure and the society, and tries to draw a confused line between the figure of the artist,
of the museum, of the culture budgets, of a knowledge-based society, of the memory,
of the art starsystem and why not, to combine new exhibition models, co-operative,
creative and generators of ideas and reflection.
Infoaddictives, today, we are prepared to bear upon our shoulders with one particular
concern, information. Images as memory assistants, video records as personal experience and the hard disk as container file and why not, in addition to all above said, of
art.
Harddiskmuseum, aims to meditate on the idea of transforming a museum into a real work of
art, an interactive system and collective work, where each participant and actor belonging to
the mentioned art structure performs around an artistic proposal, because the hard disk does
not understand about contents, it only makes available its memory to may be filled up with good
or bad ideas.
5
sobre Solimán López
Solimán López (HDDM founder)
BA in Art History and MA in Arts and Communication, is carrying out his artistic activity
by continuously crossing the thin line between intangible and tangible, focusing on the
idea of non digital identity, the erosion of an overloaded information onto social strata,
the instant overexposure of privacy within our social context or the memory behavior
in the 21st century. All this connected with the use of new technologies as a way of
approach, disguising and a channel of communication with the viewer and with oneself.
At present, in addition to his artistic work, Solimán López is director of ESAT LAB (R&D
Laboratory – ESAT, Escuela Superior de Arte y Tecnología) and carries out teaching
tasks on visual arts and media art.
@solimanlopez
@solimanlopez
solimanlopez
+ info:
www.solimanlopez.com
museum
7
resume
Project is represented by a hard disk without packaging and hard security system
protected.
Inside holds several folders organized by artists, events or shows.
The hard disk is connected with different devices depending the event, as screens,
projectors, videowalls, monitors or tv´s.
The hard disk is a plastic icon, functional and digital. It holds all the meanings of an
arquitectural space and makes the equal between space-folder, walls-case and store-repository.
It is a hard object, basement of our contemporary culture holding the metaphor of our
time.
8
what can be stored?
Digital files like:
- video
- photography
- interactives
- renders
- 3 Dimensional
- websites
- text
- audio
...
MEDIA ART
9
events
Description
Live session where Solimán López makes a guided visit through the disk content. This
events are unique because includes the new artist repository files and diferent versions
of interactions between the artwork, the artist and the spectator.
Posibilties
In a paralel way it is possible to make exhibitions with the project documentation, complementary materials and the instalation of the disk to be visite in a free way for the
public.
Events allready done:
Live Session V.06. MAC Museo de Arte Contemporáneo, Bahía Blanca, Argentina.
Live Session V.05. Museo de BBAA Palacio Evita Ferreyra, Córdoba, Argentina.
Live Session V.04. Museo de BBAA y Artistas Contemporáneos Timoteo Navarro, Tucumán, Argentina.
Live Session V.03. Desing+ Art, Science and Technology. UFSM. Santa María. Brazil.
Live Session V.02. Technarte, Bilbao.
Live Session V.01. Las Naves Centro de Creación Contemporánea.
10
artists
List of artist who has allready include its unique
artworks in the Harddiksmuseum.
11
more info
13
staff
The project is made with many international collaborators that are professional of the
media art and art in general.
This professionals works in their places to make new artist repositions and to manage the
local live sessions.
The project headquarter is located in ESAT (Escuela Superior de Arte y Tecnología in
Valencia) and its I+D+i Laboratory, ESAT LAB guided by Solimán López.
The project has also the support of ASUS and PAC (Plataforma de Arte Contemporáneo)
and Graffica as Media Partners to communicate the news related to the project.
14
documentation
All the material is part of the project for future publications or exhibitions. lo que hace
que el proyecto sea algo único en su comunicación y vida digital.
The art delivery to the museum is documentaded.
Each of that moments are unique and it is comunicated by social media and general
media.
The events can be transmited by streaming.
Artwork delivery by Enrique Radigales
15
Intangible manifesto
The project has its own manifesto. A real declaration of intentions declaration that can be read in www.harddiskmuseum.com
pressbook
17
July
2016
18
La Razón, Argentina
Valencia Plaza
Artefacto
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ABC Especial Cultura
ABC Cultura
Radio3
20
Las Provincias
20 Minutos
Valencia Plaza
El Levante
21
Canal Bussi (EMT) Valencia
ESAT
Los ojos de Hipatia. Blog de arte
PAC
22
Disseny
GRAFFICA
MAKMA
Tus Estudios
23
Levante
Blog Siete de un Golpe
Levante TV
The Lighting mind
24
LeCool
Europa press
Fotolia Internacional
25
2015
26
27
28
29
30
31
@harddiskmuseum
@harddiskmuseum
harddiskmuseum
hola@harddiskmuseum.com
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