ENSAYO DE ORQUESTA LARGOMETRAJES LA MÚSICA SIRVE PARA ESO THAT’S WHAT MUSIC IS FOR MÚSICA SERVE PRA ISSO Brasil / Brazil, 2013 92 min. Dirección / Director: Bel Bechara y Sandro Serpa Guión / Script: Bel Bechara y Sandro Serpa Productor / Producer: Macondo Filmes Fotografía / Cinematography: Bel Bechara y Sandro Serpa Edición / Editing: Bel Bechara y Sandro Serpa Intérpretes / Cast: “Os Mulheres Negras” (Maurício Pereira e André Abujamra), Pena Schmidt, Carlos Calado, Marisa Orth, Gal Oppido, Skowa, Guilherme Bonfanti, Jarbas Agnelli y Martín Buscaglia. Contacto / Contact: Bel Bechara y Sandro Serpa Macondo Filmes Rua Moacir M. Da Silva, 330, SP São Paulo, Brasil, Cep 05595-000 +55 11 386 28 840 macondo@macondo.com.br www.macondo.com.br 184 BEL BECHARA (Brasil, 1976) SANDRO SERPA (Brasil, 1974) Bel Bechara y Sandro Serpa trabajan juntos desde 1996. Fundaron la empresa "Macondo Filmes" en 2001. Hicieron juntos los siguientes films: A Doida (1999), Walter Franco Muito Tudo (2000), De Incerta Feita (2001), Dalmar e Rosália (2002), Onde Quer Que Você Esteja (2003), As Coisas Que Moram nas Coisas (2006), Tempo B (2009), Boa Noite (2011), Música Serve Pra Isso (2013) Bel Bechara and Sandro Serpa have been working together with since 1996. They founded the company "Macondo Films" in 2001. Together they made the following films: A Doida (1999), Walter Franco Muito Tudo (2000), De Incerta Feita (2001), Dalmar e Rosália (2002) Onde Quer Que Você Esteja (2003), As Coisas Que Moram nas Coisas (2006), Tempo B (2009), Boa Noite (2011) and That’s What Music Is For (2013). En los años ochenta en São Paulo, André Abujarra y Mauricio Pereira originan una banda muy particular, Os Mulheres Negras (Los Mujeres Negras). El dúo André y Mauricio –guitarras, saxo y voces– se convierten en un fenómeno inclasificable de la música popular brasileña de la década. Revulsivo, antropofágico, muy poco serio, imprevisible, el film recupera un itinerario en retrospectiva del grupo, que va desde sus comienzos al camino de la disolución de la banda. Para reconstruir ese recorrido el film apela a testimonios presentes que inevitablemente contienen una cuota de nostalgia. Es la historia de la “Terceira Menor Big Band do Mundo”, definición muy a tono con el espíritu del grupo. El film utiliza material de archivo, historietas, música, ilustrando las elecciones estéticas de la banda, en un sorprendente contexto histórico, político y cultural que conduce a la pregunta que debe hacerse sobre la cultura brasileña de los ochenta a la actualidad y que está detrás de todo proceso artístico popular y espontáneo: ¿para qué sirve todo esto que estamos haciendo? In São Paulo in the eighties, André Abujarra and Mauricio Pereira create a very particular band, “Os Mulheres Negras” (The Male Black Women). The duo André and Mauricio –guitars, sax and vocals– become an unclassifiable phenomenon of Brazilian popular music of that decade. Revolting, cannibalistic, not at all serious and unpredictable, the film recovers a retrospective itinerary of the group, ranging from its beginning to the path towards the band’s dissolution. To reconstruct that path, the film resorts to current statements that will inevitably contain a share of nostalgia. It is the story of the "Terceira Menor Big Band do Mundo", a definition very in tune with the spirit of the group. The film uses archive material, cartoons and music, illustrating the aesthetic choices of the band in a surprising historical, political and cultural context that leads to the question to be asked about the Brazilian culture from the eighties to the present and that is behind every popular artistic and spontaneous process: what is the point of all that we are doing?