Robert Houdin, Teatro Fantástico, Biblioteca de Juegos, Prestid

Jorge Luis Marzo: bibliografía recomendada
Robert Houdin, Teatro Fantástico, Biblioteca de Juegos, Prestidigitación e Ilusionismo, vol. XVIII, Editorial Sintes, Barcelona, 1951. (ed. orig., 1906)
Houdini. His Life and Art, Grosset & Dunlap, New York City, 1976.
Walter B. Gibson & Morris N. Young (ed), Houdini on Magic, Dover Publications, New York, 1953.
Albert A. Hopkins (ed), Magic. Stage Illusions, Scientific Diversions and Trick Photography, Dover Publications, New York, 1976. (ed. orig., 1898)
Erik Barnouw, The Magician and the Cinema, Oxford University Press, New York/Oxford, 1981.
Carl J. Friedrich, "Nature and Function of Secrecy and Propaganda", The Pathology of Politics, Harper&Row Publishers, New York, 1972.
George Simmel, "The Secret and the Secret Society", Sociology, Benson&Bros., New York, 1961. (ed. orig., 1922)
Paolo Fabbri, "El tema del secreto", Tácticas de los signos, Gedisa, Barcelona, 1995. (ed. orig. 1990)
Guy Durandin, La mentira en la propaganda política y en la publicidad, Paidós, Barcelona, 1983.
Jacques Ellul, Propaganda, The Formation of Men’s Attitudes, Vintage Books, New York, 1965.
J. A. C. Brown, Técnicas de persuasión, Alianza, Madrid, 1978. (ed. orig., 1963)
Roy Porter, Historia social de la locura, Crítica, Barcelona, 1989.
Antoine Prost y Gérard Vincent, “¿Una historia del secreto?”,Historia de la vida privada en el siglo XX, Taurus, Madrid, 1988.
Philippe Sollers, El secreto, Lumen, Barcelona, 1994.
Guy Debord, Comentarios sobre la sociedad del espectáculo, Anagrama, Barcelona, 1990. (ed. orig., 1988)
Jacques Derrida, “Estados de la mentira, mentira de Estado. Prolegómenos para una historia de la mentira”, conferéncia en la Residencia de Estudiantes, Madrid, 22 abril de 1997.
Kim H. Veltman, Electronic Media, The Rebirth of Perspective and the Fragmentation of Illusion, McLuhan Program, University of Toronto, 1994
Morton L. Heilig, “The Cinema of the Future”, Presence. Teleoperators and Virtual Environments, Volume 1, Nº 3, 1992
Christopher Finch, Special Effects; Creating Movie Magic, Abbeville Press, New York, 1984
David Hutchison, Film Magic. The Art and Science of Special Effects, Prentice Hall Press, New York, 1987
William Homer Hilf, Digital Entertainment: Art, Technology, and The New Forms of Storytelling in the Digital Era, 1996
Howard Rheingold, Tools For Thought: The People and Ideas of the Next Computer Revolution, Simon&Schuster, New York, 1985
­Virtual Reality, Summit Books, New York, 1991
M. L. d'Otrange, Illusion in Art. A History of Pictorial Illusionism, Abaris Books, New York, 1975
Paul Virilio, The Vision Machine, Indiana University Press, 1994
Roman Gubern, Del bisonte a la realidad virtual, Anagrama, Barcelona, 1996
Vanessa R. Schwartz, Spectacular Realities. Early Mass Culture in Fin­de­Siècle Paris, University of California Press, 1998
Stephan Oettermann, The Panorama. History of a Mass Medium, Zone Books, New York, 1997
Brenda Laurel, Computers as Theatre, Addison­Wesley Publishing Company, Massachusetts, 1993
Jonathan Steuer, Defining Selves and How They Interact ­ Some Relevant Research in Communication, Sociology, and Social Psychology, 1995
Jorge Luis Marzo (ed), Escape, Sala Amarica/Diputación Foral de Alava, Vitoria, 1998
Jorge Luis Marzo y Tere Badia (eds), Singular Electrics. Sobre tecnologías particulares, Fundació Joan Miró, Barcelona, 1998
Jorge Luis Marzo, “From Parallax to the Spectacle”, 1998; en Alexander Pilis (ed), The Parallax Book, Saint­Norbert Arts and Cultural Centre (SNACC), Winnipeg, Canadá, 1998
Tana Wollen, "The Bigger The Better", in P. Hayward & T. Wollen, eds., Future Visions. New Technologies of the Screen, British Film Institute, London, 1993
Martin Jay, “Scopic Regimes of Modernity”, en Vision and Visuality, ed. por Hal Foster, Bay Press, Seattle, 1988
Norman M. Klein, The Vatican to Vegas. A History of Special Effects, The New Press, New York, 2004
Gene Youngblood, Expanded Cinema, Dulton&Co., New York, 1970
Siegfried Zielinski, Audiovisions. Cinema and television as entr’actes in history, Amsterdam University Press, 1999
B. Travers (ed), World of Invention, Gale, 1994
Herbert L. Sussman, Victorians and the Machine. The Literary Response to Technology, Harvard University Press, 1968
Richard Stivers, Technology as Magic. The Triumph of the Irrational Continuum, New York, 1999
Friedrich A. Kittler, Gramophone, Film, Typewriter, Stanford University Press, 1999 (Berlin, 1986)
Steven Johnson, Interface Culture. How New Technology Transforms the Way We Create and We Communicate, HarperCollins, San Francisco, 1997
Ian P. Howard y Brian J. Rogers, Binocular Vision and Stereopsis, Oxford University Press, NYCity/Oxford, 1995
Amy Flowers, The Fantasy Factory. An Insider's View of the Phone Sex Industry, University of Pennsylvania Press, Philadelphia, 1998
Jacques Ellul, The Technological Society, Vintage, New York, 1964 (ed. orig., París, 1954)
Guy Debord, Society of the Spectacle, Black&Red, Detroit, 1983 (Paris, 1967)
Jonathan Crary, Suspensions of Perception. Attention, Spectacle and Modern Culture, MIT Press, 1999
­Techniques of the Observer. On Vision and Modernity in the Nineteenth Century, October Books Series, MIT Press, 1990
Steven Connor, Dumbstruck. A Cultural History of Ventriloquism, Oxford University Press, 2000
David Brin, The Transparent Society, Addison­Wesley, Massachusetts, 1998
Jean Baudrillard, The Illusion of the End, Stanford University Press, 1994 (Paris, 1992)
Barbara Maria Stafford & Frances Terpak, Devices of Wonder. From the World in a Box to Images on a Screen, Getty Institute, Los Angeles, 2001
Petran Kockelkoren, Technology: art, fairground and theatre, Nai Publishers, Rotterdam, 2003