i 0. RESUMEN. ABSTRACT. RESUM. 13 1. INTRODUCCIÓN 19 027,9$&,21(6'(/$,19(67,*$&,Ð1 20 3/$17($0,(172*(1(5$/ 22 2%-(7,926 28 0(72'2/2*Ì$ 29 (67$'2'(/$&8(67,Ð1 (67$'2'(/$&8(67,Ð162%5(/26(6&5,72648(+$&(15()(5(1&,$$(63$&,26 (;326,7,926',6(f$'263255(,&++$67$ 31 1.4.1.2(67$'2'(/$&8(67,Ð162%5(/26(6&5,72648(+$&(15()(5(1&,$$(63$&,26 (;326,7,926',6(f$'263250,(6<5(,&+ 29 (;3(5,0(17$&,Ð1 35 49 )8(17(6 50 2. IMPORTANCIA DE LAS EXPOSICIONES EN LA ARQUITECTURA MODERNA 53 $17(&('(17(6'(/$6(;326,&,21(6'(9$1*8$5',$/$6(;326,&,21(681,9(56$/(6 58 6(*81'23(5Ì2'235,0(5$(7$3$(/(',),&,281,7$5,2'(6'(/$GREAT EXHIBITION OF THE WORK OF INDUSTRY OF ALL NATIONS'(/21'5(6'(+$67$/$EXPOSICIÓN UNIVERSAL'(3$5Ì6'( ¿ ARQUITECTURA O EXPOSICIÓN? FUNDAMENTOS DE LA ARQUITECTURA DE MIES VAN DER ROHE 60 3 6(*81'23(5Ì2'26(*81'$(7$3$/263$%(//21(6(;326,7,926'(6'(/$EXPOSICIÓN COLOMBINA'(&+,&$*2'(+$67$/$$&78$/,'$' /$6(;326,&,21(6'(9$1*8$5',$(8523($'(/$35,0(5$0,7$''(/V;; 64 68 (/&$5É&7(5&8/785$/'(/$6(;326,&,21(6$/(0$1$6 70 (/6,67(0$75$163257$%/(´LEGER UND TRAGERµ'()5('(5,&..,(6/(5 72 /$66$/$6,17(5$&7,9$6'(/,66,7=.</É=/Ð02+2/<1$*<<.,(6/(5 76 /$67e&1,&$6(;326,7,9$6'(/WERKBUND</$BAUHAUS:+(5%(57%$<(5 80 /$)272*5$)Ì$</$3523$*$1'$&202(;326,&,Ð1 84 3. MIES VAN DER ROHE. ARQUITECTO 91 0,(69$1'(552+(,10(56,Ð1(1/$6(;326,&,21(6'(9$1*8$5',$+$67$ 95 $1(;2&5212/Ð*,&2+$67$ 122 0,(69$1'(552+(',6(f26(;326,7,926+$67$ 130 4. LILLY REICH. DISEÑADORA Y ARQUITECTA 133 4.1 /,//< 5(,&+ )250$&,Ð1 < (63(&,$/,=$&,Ð1 &202 ',6(f$'25$ '( (;326,&,21(6 +$67$ 4 140 $1(;2&5212/Ð*,&2+$67$ 156 /,//<5(,&+',6(f2'((63$&,26(;326,7,926+$67$$1É/,6,6$548,7(&7Ð1,&2 163 0. ÍNDICE (6&$3$5$7(3$5$/$)$50$&,$ELEFANTEN%(5/Ì1 165 67$1'3$5$/$(;326,&,Ð1´KUNSTHANDWERK IN DER MODEµ%(5/Ì1 168 (;326,&,Ð1´VON DER FASER ZUM GEWEBEµ)(5,$,17(51$&,21$/'()5$1.)857. 171 FICHA. CUADRO Nº 1 175 5. MIES VAN DER ROHE Y LILLY REICH. DISEÑO DE STANDS, MONTAJES Y PABELLONES. DESDE 1926 HASTA 1937. ANÁLISIS ARQUITECTÓNICO FICHA DE CLASIFICACIÓN DE LAS EXPOSICIONES. CUADRO Nº 2 177 187 (/,1,&,2'(81$&2/$%25$&,Ð1352)(6,21$/$f2 188 /$(;326,&,Ð1´DIE WOHNUNGµ67877*$57$f2 193 25*$1,=$&,Ð1*(1(5$/'(/$(;326,&,Ð1 194 /$&2/21,$WEISSENHOF.3/$1($0,(17285%$1Ì67,&2<%/248('($3$57$0(1726 199 $QWHFHGHQWHV 199 ,QIOXHQFLDVGLUHFWDVHQHOPRGHORGHOD:HLVVHQKRI 201 ,GHDFLyQ\IDVHVGHODRUGHQDFLyQ 203 (OEORTXHGHYLYLHQGDVGLVHxDGRSRU0LHVYDQGHU5RKH 209 /$6(;326,&,21(6'(/$GEWERBEHALLE Y STADTGARTENUMGANG&217(;72 219 FICHA. CUADRO Nº 3. 222 226 6DOD/LQROHXPUDXPR+DELWDFLyQGHO/LQyOHR0LHVYDQGHU5RKH\/LOO\5HLFK 227 FICHA.. CUADRO Nº 4. 232 6DOD(TXLSDPLHQWRGRPpVWLFR/LOO\5HLFK ¿ ARQUITECTURA O EXPOSICIÓN? FUNDAMENTOS DE LA ARQUITECTURA DE MIES VAN DER ROHE 5 6DOD*ODVUDXPR+DELWDFLyQGHO9LGULR0LHVYDQGHU5RKH\/LOO\5HLFK 233 FICHA. CUADRO Nº 5.. 246 /$(;326,&,Ð1´MODE DER DAMEµ%(5/Ì1$f2 (/CAFÉ SAMT UND SEIDE&217(;72'(/$(;326,&,Ð10,(69$1'(552+(</,//<5(,&+ FICHA. CUADRO Nº 6 /$(;326,&,Ð1,17(51$&,21$/'(%$5&(/21$$f2 247 255 257 &217(;72'(/(1&$5*2 257 (6758&785$'(/5(&,172(;326,7,92(03/$=$0,(172<7,32/2*Ì$ 260 /$3$57,&,3$&,Ð1$/(0$1$(1/$(;326,&,Ð1 262 /$608(675$6'(/$,1'8675,$$/(0$1$/,//<5(,&+<0,(69$1'(552+( 265 'HVFULSFLyQGHODVPXHVWUDVGHODLQGXVWULDDOHPDQDPiVUHSUHVHQWDWLYDV 271 291 5.4.3.23$%(//Ð1'(/$(1(5*Ì$(/e&75,&$$/(0$1$0,(69$1'(552+( FICHA CUADRO Nº 8. 265 (QXPHUDFLyQGHODVPXHVWUDV\GHORVSDODFLRVTXHODVDOEHUJDEDQ FICHA CUADRO Nº 7 5.4.3.3.(/3$%(//Ð1$/(0É10,(69$1'(552+( FICHA. CUADRO Nº 9 5.5./$6,167$/$&,21(63$5$/$(;326,&,Ð1'(/$&216758&&,Ð1'(/$)(5,$'(/(,3=,* )(5,$35,0$9(5$/(,3=,*$f267$1'DEUTSCHE LINOLEUM-WERKE A.-G. 0,(69$1'(552+( )(5,$ 35,0$9(5$ /(,3=,* $f2 67$1'6 3$5$ /$ ),50$ VEREINIGTE LAUSITZER GLASWERKE<VILLEROY & BOCH./,//<5(,&+ 6 247 0. ÍNDICE 292 303 304 315 316 317 320 /$(;326,&,Ð1´DEUTSCHE BAUAUSSTELLUNGµ%(5/Ì1$f2 323 &217(;72'(/(1&$5*2 325 ´DIE WOHNUNG UNSERER ZEITµ25'(1$&,Ð1*(1(5$/'(/&21-8172 331 ´VIVIENDA PARA UN MATRIMONIO SIN HIJOSµ0,(69$1'(552+( 338 345 FICHA. CUADRO Nº 10. ´VIVIENDA EN PLANTA BAJAµ/,//<5(,&+ FICHA. CUADRO º. 11 ´MATERIALIENSCHAUµ/,//<5(,&+&2/$%25$&,Ð1&210,(69$1'(552+(. FICHA. CUADRO Nº 12 ',6(f2,17(5,25$3$57$0(1726'(/BOARDING HOUSE0,(69$1'(552+(</,//<5(,&+ )(5,$081',$/'(%586(/$6352<(&723$5$(/3$%(//Ð1$/(0É1$f2 346 352 353 361 362 363 &217(;72<)$6(6'(/(1&$5*2 365 352<(&72'(/3$%(//Ð1$/(0É10,(69$1'(552+( 368 377 FICHA. CUADRO Nº 13 /$(;326,&,Ð1´DEUTSCHES VOLK/DEUTSCHE ARBEITµ%(5/Ì1$f2 378 25'(1$&,Ð1*(1(5$/'(/&21-81720,(69$1'(552+( 380 ´SECCIÓN DE LA MINERÍA, EL VIDRIO Y LA PORCELANAµ0,(69$1'(552+(</,//<5(,&+ 381 FICHA. CUADRO Nº 14 REICHSAUSSTELLUNG DER DEUTSCHEN TEXTIL UND BEKLEIDUNGSINDUSTRIE%(5/Ì1$f2 390 391 &217(;72<)$6(6'(/(1&$5*2 392 (/352<(&7212&216758,'2'(0,(69$1'(552+(</,//<5(,&+ 394 ¿ ARQUITECTURA O EXPOSICIÓN? FUNDAMENTOS DE LA ARQUITECTURA DE MIES VAN DER ROHE 7 EXPOSITION INTERNATIONALE DES ARTS ET TECHNIQUES DANS LA VIE MODERNE3$5Ì6$f2 (;326,&,Ð1'(/$,1'8675,$7(;7,/$/(0$1$/,//<5(,&+ FICHA. CUADRO Nº 15 396 398 403 67$1''(/$0(7$/85*,$<67$1''(/260$7(5,$/(66,17e7,&263$5$',6326,7,926'( 35(&,6,Ð1¢0,(69$1'(552+(" 404 6. ANÁLISIS ARQUITECTÓNICO COMPARATIVO 407 $1É/,6,6&203$5$7,92'(/$2%5$(;326,7,9$'(/,//<5(,&+'85$17(68(7$3$(1 62/,7$5,2+$67$&$5$&7(5Ì67,&$6*(1(5$/(6 409 &$5$&7(5Ì67,&$6(63$&,$/(6&20326,7,9$6 410 &$5$&7(5Ì67,&$6)81&,21$/(625*$1,=$7,9$6 411 &$5$&7(5Ì67,&$60$7(5,$/(6&216758&7,9$6 411 &$5$&7(5Ì67,&$6(6758&785$/(6 412 ',6(f2(;326,7,92<&203/(0(1726 413 CUADRO Nº 16. STAND EXPOSITIVO 414 $1É/,6,6&203$5$7,92'(/$$548,7(&785$(;326,7,9$',6(f$'$3250,(6<5(,&+ '85$17(683(5Ì2'2'(75$%$-2&21-8172&$5$&7(5Ì67,&$6*(1(5$/(6 8 &$7(*25Ì$67$1'(;326,7,92 415 417 &$5$&7(5Ì67,&$6(63$&,$/(6&20326,7,9$6 417 &$5$&7(5Ì67,&$6)81&,21$/(625*$1,=$7,9$6 418 &$5$&7(5Ì67,&$60$7(5,$/(6&216758&7,9$6 419 &$5$&7(5Ì67,&$6(6758&785$/(6 420 0. ÍNDICE ',6(f2(;326,7,92<&203/(0(1726 421 CUADRO Nº 17. STAND EXPOSITIVO 422 &$7(*25Ì$0217$-($548,7(&7Ð1,&2'(1752'(81(63$&,2',É)$12 423 &$5$&7(5Ì67,&$6(63$&,$/(6&20326,7,9$6 423 &$5$&7(5Ì67,&$6)81&,21$/(625*$1,=$7,9$6 424 &$5$&7(5Ì67,&$60$7(5,$/(6&216758&7,9$6 425 &$5$&7(5Ì67,&$6(6758&785$/(6 425 ',6(f2(;326,7,92<&203/(0(1726 426 CUADRO Nº 18. MONTAJE ARQUITECTÓNICO DENTRO DE UN ESPACIO DIÁFANO EXISTENTE 427 &$7(*25Ì$3$%(//Ð1 428 &$5$&7(5Ì67,&$6(63$&,$/(6&20326,7,9$6 428 &$5$&7(5Ì67,&$6)81&,21$/(625*$1,=$7,9$6 429 &$5$&7(5Ì67,&$60$7(5,$/(6&216758&7,9$6 430 &$5$&7(5Ì67,&$6(6758&785$/(6 430 ',6(f2(;326,7,92<&203/(0(1726 431 CUADRO Nº 19. PABELLÓN. EDIFICIO EXENTO DENTRO DE UN RECINTO FERIAL ABIERTO 6. COMPARATIVE ARCHITECTURAL ANALYSIS 433 435 &203$5$7,9( $1$/<6,6 2) 7+( (;+,%,7,21 :25. 2) /,//< 5(,&+ '85,1* +(5 62/2 &$5((5817,/*(1(5$/)($785(6 437 63$7,$/&20326,7,21$/)($785(6 438 )81&7,21$/25*$1,=$7,21$/)($785(6 438 ¿ ARQUITECTURA O EXPOSICIÓN? FUNDAMENTOS DE LA ARQUITECTURA DE MIES VAN DER ROHE 9 )($785(62)&216758&7,210$7(5,$/6 439 6758&785$/)($785(6 440 )($785(62)(;+,%,7,21'(6,*1$1'$&&(6625,(6 440 FRAME NO. 16. (;+,%,7,2167$1' 442 &203$5$7,9( $1$/<6,6 2) 7+( (;+,%,7,21 %8,/',1* '(6,*1(' %< 0,(6 $1' 5(,&+ 3(5,2''85,1*-2,17:25.)52072*(1(5$/)($785(6 &$7(*25<(;+,%,7,2167$1' 445 63$7,$/&20326,7,21$/)($785(6 445 )81&7,21$/25*$1,=$7,21$/)($785(6 446 )($785(62)&216758&7,210$7(5,$/6 447 6758&785$/)($785(6 448 )($785(62)(;+,%,7,21'(6,*1$1'$&&(6625,(6 449 FRAME NO. 17. (;+,%,7,2167$1' 450 &$7(*25<$5&+,7(&785$/',63/$<,1$&/26('$1'(;,67,1*23(163$&( 451 63$7,$/&20326,7,21$/)($785(6 451 )81&7,21$/25*$1,=$7,21$/)($785(6 452 )($785(62)&216758&7,210$7(5,$/6 453 6758&785$/)($785(6 453 )($785(62)(;+,%,7,21'(6,*1$1'$&&(6625,(6 454 FRAME NO. 18. $5&+,7(&785$/',63/$<,1$&/26('$1'(;,67,1*23(163$&( 455 &$7(*25<3$9,/,21(;(037%8,/',1*:,7+,1$123(1)$,5*5281' 456 10 443 63$7,$/&20326,7,21$/)($785(6 0. ÍNDICE 456 )81&7,21$/25*$1,=$7,21$/)($785(6 457 )($785(62)&216758&7,210$7(5,$/6 458 6758&785$/)($785(6 458 )($785(62)(;+,%,7,21'(6,*1$1'$&&(6625,(6 459 FRAME NO. 19. 3$9,/,21(;(037%8,/',1*:,7+,1$123(1)$,5*5281'. 7. CONCLUSIONES FINALES. EPÍLOGO. 460 461 25,*(1 < (6&8(/$ '( /$ $548,7(&785$ (;326,7,9$ '( 0,(6 9$1 '(5 52+( 62%5( /$ ,1)/8(1&,$'(/,//<5(,&+ 464 (//$%25$725,2'(/$6,'($662%5(/$,1)/8(1&,$'(/$$548,7(&785$´EFÍMERAµ'( 0,(69$1'(552+((168$548,7(&785$´PERMANENTE” 469 (3Ì/2*2 484 7. FINAL CONCLUSIONS. EPILOGUE. 487 7+(6&+22/$1'7+(25,*,12)0,(69$1'(552+(·6(;+,%,7,21$5&+,7(&785(217+( ,1)/8(1&(2)/,//<5(,&+ 490 7+( /$%25$725< 2) ,'($6 21 7+( ,1)/8(1&( 2) 0,(6 9$1 '(5 52+(·6 ´EPHEMERALµ $5&+,7(&785(,1+,6´PERMANENTµ$5&+,7(&785( (3,/2*8( ¿ ARQUITECTURA O EXPOSICIÓN? FUNDAMENTOS DE LA ARQUITECTURA DE MIES VAN DER ROHE 495 510 11 12 b. BIBLIOGRAFÍA 513 E/,%526'(&2168/7$%,%/,2*5É),&$<'($5&+,92 514 E38%/,&$&,21(63(5,Ð',&$6 525 E&$7É/2*26'((;326,&,21(6 527 E$57Ì&8/26 529 E(175(9,67$638%/,&$'$6&210,(69$1'(552+( 541 0. ÍNDICE