Seth Fein –– Select Publications 1

Seth Fein –– Select Publications 1 Book Transnational Projections: The United States in the Golden Age of Mexican Cinema (Durham: Duke University Press, under contract). Articles and Chapters "Entre Nuestro Barrio y Un Pueblo en Vilo: melodramatizando y mexicanizando el 'Buen Vecindario' el los años sesentas" [Between Nuestro Barrio and Un pueblo en vilo: Melodramatizing and Mexicanizing the Good Neighborhood in the 1960s] in Formas de gobierno en México, poder politico y actores sociales a través del tiempo, ed. Victor Gayol (Zamora: El Colegio de Michoacán, 2012), 655-­692. “Producing the Cold War in Mexico: The Public Limits of Covert Communications,” in In From the Cold: Political and Cultural Dimensions of the Latin American Cold War, eds. Gilbert M. Joseph and Daniela Spenser (Durham: Duke University Press, 2008), 171-­213. “Proyectando la relación especial: México-­Estados Unidos durante la Guerra Fría” [Projecting the U.S.-­Mexican Special Relationship during the Cold War],” in ¿Somos especiales? Las relaciones de México y Gran Bretaña con Estados Unidos, eds. Rafael Fernández de Castro, Lawrence Whitehead, and Natalia Saltalamacchia (Mexico City: M.A. Porrúa, 2006), pp. 115-­36. “New Empire into Old: Making Mexican Newsreels the Cold War Way,” Diplomatic History 28.5 (November 2004): 703-­48. “Culture across Borders in the Americas,” History Compass 1.1 (2003): NA 025, 1-­6. “Internationalizing Ideologies: A Commentary,” in Culture and International History, eds. Jessica Gienow-­Hecht and Frank Schumacher (New York: Berghahn Books, 2003), 221-­30. "Myths of Cultural Imperialism and Nationalism in Golden Age Mexican Cinema," Fragments of a Golden Age: The Politics of Culture in Mexico, 1940-­2000, eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov (Durham: Duke University Press, 2001), 159-­98. "Transcultured Anticommunism: Cold War Hollywood in Postwar Mexico," Visible Nations: Latin American Cinema and Video, ed. Chon Noriega (Minneapolis: University of Minnesota Press, 2000), 82-­111. “La transculturación del anticomunismo. La Guerra Fría de Hollywood en el México de la posguerra.” Objeto Visual 7, trans. Yanira Urdaneta, (Caracas: December 2000): 55-­94. [Translation of the above] "From Collaboration to Containment: Hollywood and the International Political Economy of Mexican Cinema after the Second World War," Mexico's Cinema: A Century of Films and Seth Fein –– Select Publications 2 Filmmakers, eds. Joanne Hershfield and David Maciel (Wilmington: Scholarly Resources, 1999), 123-­64. "Everyday Forms of Transnational Collaboration: U.S. Film Propaganda in Cold War Mexico," Close Encounters of Empire: Writing the Cultural History of U.S.-­Latin American Relations, eds. Gilbert Joseph, Catherine LeGrand, Ricardo Salvatore (Durham: Duke University Press, 1998), 400-­50. "Dicen que soy comunista: Nationalist Anticommunism and Mexican Cinema in the 1950s," Nuevo Texto Crítico 10.21 (Stanford: January-­June 1998): 155-­72. "Transnationalization and Cultural Collaboration: 'Mexican' Cinema and the Second World War," Studies in Latin American Popular Culture 17 (1998): 105-­28. "El cine mexicano a la luz de las relaciones internacionales," Horizontes del segundo siglo: Investigación y pedagogía del cine mexicano, latinoamericano y chicano, Julianne Burton-­
Carvajal, Patricia Torres, Angel Miguel, eds. (Guadalajara: Universidad de Guadalajara, 1998): 94-­100. "Pedro Armendáriz," "Pedro Infante," "Motion Pictures: 1930-­1960," Encyclopedia of Mexico: History, Society & Culture (Chicago: Fitzroy Dearborn, 1997): 101-­02, 702-­04, 964-­70. "La imagen de México: la segunda guerra mundial y la propaganda fílmica de Estados Unidos," México-­Estados Unidos: Encuentros y desencuentros en el cine, Ignacio Durán, Ivan Trujillo, Mónica Verea, eds. (Mexico City: IMCINE/UNAM, 1996), 41-­59. "El cine y las relaciones culturales entre México y Estados Unidos durante la década 1930," Secuencia 34 (Mexico City: Spring 1996): 155-­95. "La diplomacia de celuloide: Hollywood y la 'edad de oro' del cine mexicano," Historia y Grafía 4 (Mexico City: Spring 1995): 137-­76. [translation of following item] "Hollywood, U.S.-­Mexican Relations, and the Devolution of the 'Golden Age' of Mexican Cinema," Film-­Historia 4.2 (Barcelona: June 1994): 103-­35. "The United States and the Mexican Film Industry after World War II,” Texas Papers on Mexico (University of Texas at Austin: Institute of Latin American Studies, 1993). Book and Film Reviews, Comments, and Op-­Eds Review of Robert González, Designing Pan-­America: Architectural Visions of the Western Hemisphere (Austin: University of Texas Press, 2011), Hispanic American Historical Review (August 2014): 544-­545. Seth Fein –– Select Publications 3 Review of Jack Child, Miniature Messages: The Semiotics and Politics of Latin American Postage Stamps (Durham: Duke University Press, 2008), Hispanic American Historical Review 90.4 (November 2010): 707-­709. Featured Review of Ramón Saldívar, The Borderlands of Culture: Américo Paredes and the Transnational Imaginary (Durham: Duke University Press, 2006), American Historical Review 113.1 (February 2008): 132-­34. Review of John Mraz, Nacho López: Mexican Photographer (Minneapolis: University of Minnesota Press, 2003), Journal of Latin American Studies 37.3 (August 2005): 653-­55. Review of Fog of War (Errol Morris, dir., Sony Pictures Classics, 2003), American Historical Review 109.5 (October 2004): 1260-­61. “The Medium Shapes the Message,” Yale Global Online, 7 May 2004. Reprinted: The Straits Times (Singapore), 11 May 2004;; The Asian Age (Dehli, Mumbai, Caucutta), Khaleej Times (Dubai), 10 May 2004. Review of Cyrus Veeser. A World Safe for Capitalism: Dollar diplomacy and America’s Rise to Global Power. New York: Columbia University Press, 2002. Hispanic American Historical Review 84.2 (May 2004): 385-­86. Review of David William Foster: Mexico City in Contemporary Mexican Cinema Austin: University of Texas Press, 2002. The Americas 60.3 (January 2004): 483-­85. Review of Frida (Julie Taymor, dir., Miramax, 2002) and Frida: naturaleza viva (Paul Leduc, dir., Clasa, 1984), American Historical Review 108.5 (October 2003): 1261-­63. Review of John King, Magical Reels: A History of Cinema in Latin America 2nd.ed., Hispanic American Historical Review 82.2 (2002): 347-­48. Invited commentator, roundtable discussion of David Pletcher, The Diplomacy of Trade and Investment: American Economic Expansion in the Hemisphere, 1865-­1900, H-­DIPLO Roundtable, posted April 2001. Review of Jorge Castañeda, The Estados Unidos Affair: cinco ensayos sobre un 'amor' oblicuo for The Journal of American History 85.2 (September 1998): 767-­68. Review of Gaddis Smith, The Last Years of the Monroe Doctrine for The Pacific Historical Review (November 1997): 155-­56. “Free Trade at the Movies Puts U.S. in a New Role;; the Mexican Case,” New York Times, 24 December, 1993. Seth Fein –– Select Publications "NAFTA and Mexico (and the United States)," The Society for Historians of American Foreign Relations Newsletter (March 1993): 1-­5. 4