Subido por María Ángeles Pla Sacristán

concierto bottesini

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Double Bass Concerto No.2
In B minor for bass in solo tuning (F♯-B-e-a)
Transcribed from the B minor manuscript for bass and piano
Ed. Isaac Trapkus
(b.1984)

  
version: 2020/12/12
Contrabass
Piano
5
Cb.
Pno.
8
Pno.
11
Cb.
Pno.

 


 

  









Solo espressivo
 

   
   

      

  

 

   
3
3
3

 

 

      


 
dim.
3

 





    
 


 
3
3
3


  

   

  

     






 
        
















   



   
 

            
   


 

  

      



        

  
 
 



 
    
 

   

Cb.
I
Allegro Moderato
Giovanni Bottesini
(1821-1889)


 
3
     

      
  
      
 


 
     
   
     

 
3





  
 

    



   
 
3


3




   
 

3


      
      
      
 
    





3

   
    
    






3
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
3
14
Cb.
Pno.
17
Pno.
20
 

 
 
      

 

 

23


   
    
 
3
   
3
3
    


  
 
   

 



 


 


3





  

  
 


3








     


      

3

           
  







3
3
3
3
   
 





cresc.


3



3
       

cresc.

cresc.

3
3
  







   













  

    

3

      

3





    
    
       cresc.
 


      




  



                  
  



      


 
 

   
      





 
Pno.
2
 
 



Cb.
Pno.



 
Cb.
Cb.

 


3


 
      
3


       

3
3
3
3
        
  
     
  








This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

26

   

3
29

 
3

 
Cb.
 
Pno.
32

 

3
3


cresc.
35

 

 
 
3
3
cresc.

     

3
   

3
3

  




           






       
3
3
3
  
3
3
3
 
       
 

   



Pno.
3
  




 

    
3


         






 3
3

      

3
        
   
3







                       




  
       
cresc.

  







 



 


  
Cb.
3


        


          
3

   

 


  

Pno.
Pno.

  

Cb.
Cb.

 
3

 
    

      

  

 

  



 
 
 









3
3

  


  

 
 

 


(rall.)



   


 
 
3




  



 

cresc.
 








    
       



   

cresc.


This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

 


3
38
 
Pno.
41
44









 








 


  






3
3




cresc.
 
Pno.
47
 
cresc.

 


   





    



 
        
     
  


3
3



 







 
 




  
 
  


 
   



   










   








    



3




3


      
             
        


  


              


  


Cb.
4

      
    

Pno.
Pno.
 



  

Cb.
Cb.
 


Cb.

    





   
 


  
cresc.
          
cresc.

    




       
       





3
3

  

 






   
    


 
    
  

     
 

  
      
 
3
3






      










        


3

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
3
50

 
          
3
  
  


 
  


Cb.
Pno.
53

 

 
   
Cb.

    

Pno.

56


Cb.
 
Pno.
59
Cb.
Pno.
 

 

 
 
3




3
3
 
  
 



 

3
    

    


3
3

 
  
 

  




   

  



  

      
      
  




  

3

















 


   

3
3

  

 
 




 

 


 
 



 
       


 




   
      


    
      
      




3




3





 

   





cresc.

  
 
 



cresc.
cresc.
 
  




 
3
   



3
3



  



 
  
 
   
    
 
 
3

  


      

    
    
 
 
3
 
   


  


This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.



    
   
 3 
 







5
62
Cb.

 


    
     
 
     


   


66
Cb.
Pno.
69
Pno.
72
Pno.
6

 

 



 
 




3



 
3




3
      
3
 










   
  





 
      
  

 
 



     

    

         
  
  

 
 

Cb.
Cb.

 



Pno.






 

  




cresc.
3

     3
  
3
 

   
 
 
 
  
    



     
 
   
 
3
3
   



      

3
   
 

  


  




3
3
 
3
3

 
 
 



    
3


   


3
   
    
 




 





    
   
  






                 
   

  
    






          
      

cresc.




 

 3
       
    



      
    
   
 
  
3
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
3

  
  
75
Pno.
79

 



 
Cb.

3

dim.
  
      
3
82
Cb.

 
meno

85
  
 

 
3

  
  
    





                
                 




   
   


  

 
 


  
 


3














 

         
   



    


   



   


















   
 
 
 

 
 
  


  



     








    
 
  


  

3
3













   



    
               





      

   
 
     







3
3
  







         
    
Pno.
3
   
 


    
 
Pno.
Pno.
   
 

      
      
 


Cb.
Cb.

 
     
       
 
    

   



               

   



        












 






  


 
  


 



    



 


            


 
 



          


 



This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

7
89
Cb.
94
Pno.
98
Cb.
101
Cb.
103
Cb.
108
Cb.
111

 
   

  

 
  



      
 



 
    



 





  

 
Cb.
8

 
Pno.
Cb.

 

 
 


    




 


 
  
Cadenza




  
   


       
    
 



 


3
  

    



 

       

     
   

  




 
  







 
 

3
3
        
    

 


     

 
    
 

     


  














        
     
   
 
 



         
   




  
       

  
 
     
    


    

   


 
                       




 
 
    




3


3
3

 
      

       
 


                  








     
   
    



    
   
   
          

   

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


 
a tempo
116
Cb.

     





 

a tempo


  
Pno.

Cb.
Pno.
123
Pno.
126
Pno.



               

   

        
   

   


         





 



 




 
3
3
   

 

 3
3




 


  
       
 

 
3
3


               
                  
  



 




      









 







        
   

  
       

 

 
 
 
                                 
                  

 



   

         

  

 



*)       






 
              

(stretto)
 

 

Cb.
Cb.

 



120
3
3




  


              
   



  cresc.
 








   




cresc.
(stretto)



  



  
  

  


  

  






 
 

 



  



  


  

   
 




 
  
             


 



*) Measures 118 and 119 of the solo line differ in Bottesini's other transcriptions of this concerto. Some bassists may
prefer to play m.118 an octave higher and then m.119 an octave lower with varying pickups into m.120.
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
9

Contrabass
Piano
6
Cb.

Pno.
11
Cb.
15
Pno.


  
   
 
  



          
  


 
 


     



Pno.
Cb.

 

Andante








   





 
     








   
       
    

  

 
 

  


    





    
  
 


 
 


 
 



   
     



   
    








       
 


 
   
  


  
      







 


    
 
cresc.

  
 




 





            






10







         
 


           
   
  
    
  
   



II
cresc.




 

     
  
   
    
  
 

   








   
 

 

    
 



         



 


 
  





 
 
 
 
 
 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

19
Pno.
23






   



 
 


     
 


          
Cb.
Pno.
27


 







  



       

 

 

 

Pno.
31



 
  



   


 

 
 

  


 






 
cresc.

  

cresc.
  

cresc.

 
      

 
























         

 

 















          


 

 



    
   
  

cresc.
    
      
 




        


  


          
           
          

           

Cb.
Pno.
   
 
 
       
 
        

Cb.
Cb.




 
  
 


 

  



  
      


       








    





   
     

  
   
   

 
        
 


cresc.
     

cresc.

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.



11
34
Cb.
37
Cb.
40
Cb.
 








       

 
 










   

43






  







  






dim.

      





         

    


  
  

  
  

   

    

     
 

  
diminendo
        



  





         


            




  

 

            



  

  

    

 




 


 
      
      
 
          





Pno.
12

 
 

Pno.
Pno.

 
Pno.
Cb.


  
  



  

  
  
  
   
 

            
poco rall.
poco rall.



  

  
 
 



 








   
  





dim.


a tempo




 




 
 



 
   


a tempo

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
46
Cb.

49


      
 





 


 



 

  
   

      
 

 
 
 
  


    
   


cresc.

 
 
  

   



Cb.
Pno.
52
Pno.

  

Pno.
Cb.



cresc.
    
     
  
    
  








 
 




  


 



   



 
 
  

 






 






  





  









 



     
 



   


 

 
   





         

  








This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
13
55
Cb.
58
Cb.
Pno.
61
Cb.
64
14



 
  
   
 
     



Pno.
Pno.
 
     
 
  
Pno.
Cb.
 

    
        






 






 



   











      
   
      

  
    

 dim.
cresc.


      



        
  
      
 
 

   








 
 


  



  
 
   
dim.
rall.


rall. . . . .





    
  
 
   

  

          
 


  
 

   


    


 




 
  

     

            



      
  

 

   

    






  










               
        


      








 



dim.
 
 

 
 


This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


66
 
   
   

 
    
colla parte
Pno.

  
Allegro
Contrabass
Piano
7
13
Pno.


 

  


 
Pno.
Cb.

    

Cb.

 
















 








  

     
   
       
   



 





  
 
   



   
   

            
    





    

   


     
         
   
  
 
    
    

    


 











       
       



   
         










rall.
rall.

     
  


     
  



III



        
   

    
 
  





 

 
      
    



    




   




   
   

 
 
 



 
 

    
     

        

       
 
 



   
       
  
  
  



This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


15
20
 
Pno.
26
Cb.
Pno.
32
Cb.
38
Pno.
16

 

          

   



 
 
  

   



     

      
  
      

    
       




     
 
    

  

 
 
Pno.
Cb.

 
 

Cb.

 

 


 


 


     
    

   

   
  
     


  
  
   
   
   
   






  
  

    

        
  
  

  



 
             


    
   

        




         
      
cresc.
  
   



   
   
    

                  

 
 




  





   
  



   
      

        
    
 
 
 




    






      
        
 


cresc.
    
   
cresc.
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
44
Cb.
50
      


 
  
  






   
  
  
   
    

  
   

   

  
Pno.
56
Cb.
Pno.
60
 





   

   


  
  
 
 





  









 
   

  
   





    
 

 






 
 
  


cresc.
  

           


   
     



   

   

          
  

        
 
      
  
   


Cb.
Pno.

     
 
Pno.
Cb.
     


 
  



   


    
   
           

cresc.
 



 

       


   
 

dim.















        

  
 
       













 
 

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
17
64
 


Cb.
Pno.
69
Pno.
75


 
Pno.






 



♮


Cb.
Pno.
18
    



  





  
  


 

   



 
 
    
    
    



   


  
♯

    


       




                                  
     
cresc.
cresc.
()









 
          

     













  
  
cresc.

83
        

  
  





 

 
   
                 
    

                 









  


 


  
 
 






Cb.

    
   
  



 
Cb.


 


    

     
 

  
   

 

 
   





cresc.



  
  
     
    
    
     



cresc.







  
 
  
   
    
    
   





This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


89
Cb.
Pno.
94
99

 

104

 


 

       


 









    


  
     
Pno.
Pno.

 


Cb.

 
  
 
          



   
   

   
 

       


 
Pno.


 



Cb.
Cb.

 




       







   
  
   





 

 



 
  

       
  

   
     

   



















 
 

 





 


 

     
    




       

      


     






  



       

 
         



   


     

  






   


      


   


   
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.

19
109
Cb.
Pno.
115
Cb.
Pno.
119
123
20

    

 


     

    





        





  




   
         
     
    







  


 

 
 
     



  
Pno.
Pno.

     
cresc.









  

                    

 
       

cresc.






 

 




Cb.
Cb.

 

 

 



 

   


 
     
       



       






 
  
 
   
  




        
    


     

      

   






 
    
  
      



       



 

 




 
     
     






    

      

cresc.


 
cresc.

 



   
 
         
        

    

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


128
Pno.
134
Cb.
Pno.
139
Cb.
Pno.
144
Pno.


     
   

      

Cb.
Cb.

 

 

        
   



 


       
  

  

  



         
   
    
 






  


 

   
  
  


 
   






   

 

  
 



     
    
    

 





 


    
  
  







     
    

   







   
       












           
   

     
cresc.





       
    
 

  

    


             
     


   








               
       
 

 


  


cresc.
   

  
   
      
   
 



  






This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
  
  


21
150
Pno.
155
 
Pno.
159
Cb.
Pno.
163
Pno.

 


Cb.
Cb.

 
   

 



  





  


 


   

  

     

  


  


 
   

 


  

 

   

 

cresc.
 
 
cresc.


 
  





  
  
  
   
   


  
 
   

 
  
    



  

    
   
 
    

   
    
  
 




22


 

   


  


Cb.


 
  
 












 
 

 



  

 

  
 
     
dim.
dim.


      
            
        


   
cresc.




  





 



cresc.



 
 
  




   
   
 
  
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
168



   

Pno.
172
 
    
Pno.
175

 
Pno.
179
     
 

 







 

 

 


   
 
  
 



  







  









    


















Animando




Animando
   

       
   
  




  



 

         



 
  



        













  

     
    
 

     



Cb.

        



Cb.
Pno.


 

  


Cb.
Cb.

 



 
 
 

  
 
        
   
 







    


    








 
   


    

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
23
183
 
Pno.
188
Pno.
193
 



 
   


   



  
198

 
        
         
 
 
   
   
  


cresc.
      


 
    
   





          
                 



    
Pno.
24
        
 


 
  

  
  
Cb.
Pno.

 



         

cresc.
Cb.
Cb.

 


Cb.

   
 
    

   


 
   
 





 


 



           
   
  
 


    
   








  
 
    

 


         
         

        


 
   






        
        
     

 


          
  





 
     
       
   
  
 




   
 
This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.




203

 

   
 


 
  

   



Cb.
Pno.
    
  

 
  



209
 
Pno.
215
Cb.
Pno.

 

   
 

Cb.

 








      

 







 


       
  

    

 

 






        






 




        
   
          
       
 

 
  
  
 


 








 


   
 
 
       
   
    

  













 
 
 

         
 




This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.


25
219
226

 

 
Cb.



230
Pno.
238
  






 

          
 

  

 








       
      

           
    








                       
            
 

      
      
Cb.
 
 
         
   
       







           
     

             

   





     
Pno.
Pno.
 
 
         
     
 
  

    

Pno.
Cb.

 


Cb.





   

 





 




 


 

    
 
    


    

   




 *)




           












   


   
                


    


    
    
 

 


 




  
   


 

  









*) Bottesini later penciled in D♮s to replace all the D♯s in the last five measures, changing the ending from major to minor.
However, this arrangement of the concerto is the only version in which Bottesini made such a notation. The performer may
decide which version they prefer.
26

This edition may be freely used and distributed under a Creative Commons Attribution 4.0 International License. Isaac Trapkus - 2020.
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