.-CrJtlUpet ~t~t1J' StJtl!ieb .University ofMic~lln compiJd (l1li/ uJiteJ '? ChmTes DawJ second edition Mouthpiece Exercise # 1 ~o======:j ~~()~ ~ r~l==o======== Mouthpiece Exercise #2 lcr:f ~ j -=~ • F =ImP F 5J j 9 ~ t==p==jgSj I ~q'J I ~ ~ £Jq;j ~ ~ ~ J¥Rqj=J ~~~. f GE ~ j ~ J ~ mij?J~J I I t ~~~I .::r J=ij ~ ~ J jgij?F~ j I ~ ~ ~;J J &fW-=Cg ~~J~I ~ ~ I tJt%r ~ J i1 #~ ~~r~ ~~~ ~9 ~ J ~ @ 9 ~ 1] ~ Mouthpiece Exercise #3 Mouthpiece Exercise #4 lC \:.I 15 \:.I 22 \:.I 29 1 43 \:.I \:.I • 1 lC J~ @ v.c. Longtone Study ~ <J R d ~ ~~~¥ ¥ ~ F i .~]§ ~ J ~ : ~ c~ ~:~~ A collection of flow studies and exercises University of Michigan Music Department. Division 648 (tnunpet)., all courses. section 259 (Davan The included materials are designed to aid in the development of a fluid and musical style analogous to efficient production of sound on the trumpet. This collection is based on the teaching of Vincent Cichowicz and is gathered from various sources. As students progress, it is hoped that an understanding will develop that the "flow" or movement of the notes is parallel to the motion or "flow" of the musical line; and that this movement represents the most efficient means of producing sound on a brass instrument. Although many exercises may seem somewhat technical, it is important to remember that the focus of this book is musical lineand tone production and that facile technique is an inevitable but always subordinate benefit. This Volume is divided in two parts: Long Tones and Flow Exercises pages i to xvi Flow Studies pages 1 to 129 ~-~ ~ 1 ~ ~= J=- 7] c: ==-"" :J 1~ ~ ¥ iiJ ::=:== j j~9 ~ ¥1 fJ § j [@ a ~ ~ ~ ~ ~ J ~ j J ~ § ?J ~ ¥ ~ ~ ~ ~ 7} S>:j e ............... ~ E u ~ ~ ~~u ~ ~ #1 SF II e , .. ~ 8ft ==- ::s;;; J ~ #4 All Rights Reserved e Daval. 1994 ~ unauthorized copies for any purpose FORBIDDEN ~ jf u ~ ~ ~ jf ~ jjj .. IL 'f ~ ~ ~ jt---,~= _ d -t::t=== -- ~ 3~ =-1 .' -e 'r:\ '::.' 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