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Las relaciones entre lo culto y lo popular (siglos XIX-XX) FDEH TXH =RUULOOD HQ 9DOHQFLD HQ %XUJRV \ HQ WRGDV SDUWHV VLHPSUH EXVFy HVH DPRU GHO S~EOLFRTXHDVLVWtDHPEHOHVDGRDVXVUHFLWDOHV&RPRHQHVHGH%XUJRVHQTXHILQDOL]DEDDVt $TXHPLSDWULDPHHQWLHQGD QRDVSLUDDPiVPLDPELFLyQ RWURSUH]\KRQUDVSUHWHQGD PLDWPyVIHUDHVODOH\HQGD PLFDPSRODWUDGLFLyQ 6LHQWDODLUHFRMRYLHQWR \HQWDOFDPSRKDFLQRPLHV %XUJRVQROOHYRRWURLQWHQWR VLQRTXHHQWXKRJDUDVLHQWR HQWUHWXVKLMRVPHGHV ECO SOLEMNE DE LA MULTITUD: José Zorilla, poeta popular. Borja Rodríguez Gutiérrez 189 BIBLIOGRAFÍA $/2162 &257e61DUFLVR©(O&LG\=RUULOODªRevista de Filología Española, ;;9 SS *$5&Ì$&$67$f('$6DOYDGRU©,QWURGXFFLyQªLeyendas-RVp=RUULOOD(GLFLyQGH 6DOYDGRU*DUFtD&DVWDxHGD0DGULG&DVWDOLDSS /Ð3(= &$6752 $UPDQGR ©(O RILFLR SRpWLFR GH =RUULOODª /HWUDV GH 'HXVWR SS 0(1e1'(= 3(/$<2 0DUFHOLQR Estudios y discursos de crítica histórica y literaria. 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Actas del congreso sobre José Zorrilla-DYLHU%ODVFR3DVFXDO5LFDUGRGHOD)XHQWH%DOOHVWHURV $OIUHGR 0DWHRV 3DUDPLR FRRUGV 9DOODGROLG 8QLYHUVLGDG GH 9DOODGROLG )XQGDFLyQ -RUJH*XLOOpQSS 6$1 0$57Ì1 %$67,'$5HEHFDImágenes de la Edad Media: la mirada del realismo, $QHMR GH5HYLVWDGH/LWHUDWXUD0DGULG&6,&