Tradición e interculturalidad. Las relaciones entre lo culto y lo

Tradición e interculturalidad
Las relaciones entre lo culto y lo popular (siglos XIX-XX)
COLECCI ÓN
ACTA S
Tradición e interculturalidad
Las relaciones entre lo culto y lo popular
(siglos XIX-XX)
Edición
Dolores Thion Soriano-Mollá, Luis Beltrán Almería,
Solange Hibbs-Lissorgues, Marisa Sotelo Vázquez
INSTITUCIÓN «FERNANDO EL CATÓLICO» (C.S.I.C.)
Excma. Diputación de Zaragoza
ZARAGOZA, 2013
Publicación número 3.219
de la Institución «Fernando el Católico»
Organismo autónomo de la Excma. Diputación de Zaragoza
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ifc@dpz.es
© De los textos, los autores.
© De la presente edición, Institución «Fernando el Católico».
Maquetación: Rosa Cancer Beltrán. Université de Pau et des Pays de l'Adour
ISBN: 978-84-9911-223-7
DEPÓSITO
LEGAL:
Z 740-2013
IMPRESIÓN: ARPIrelieve, SA, Zaragoza
IMPRESO EN ESPAÑA-UNIÓN EUROPEA.
Agradecimientos
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&$52 %$52-$-XOLRLa estación del amor: fiestas populares de mayo a San Juan0DGULG7DXUXV
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9DOHQFLD*UDQW&XWOHUQ~PEntre la Ilustración y el Romanticismo: la huella de
la guerra de la Independencia,$OLFDQWH8QLYHUVLGDG
*5,0$/ 3LHUUH Diccionario de mitología griega y romana %DUFHORQD 3DLGyV UHHG VY
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$UHOODQR\RWURV Studia aurea. (Q Actas del III Congreso de la AISO, Tolouse, 1993,,, Prosa,
3DPSORQD*5,62/(0620$$((SS
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Tradición e interculturalidad. Las relaciones entre lo culto y lo popular (siglos XIX-XX)
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%/2'*(77 ( ' 385'< $ * HG Problems of Literaty Reception, (GPRQWRQ
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La Rámila. Ilustración de Apeles Mestres para El sabor de la tierruca (1882), de José M.ª Pereda.
El eunuco y el bígaro. Ilustración de Apeles Mestres para El sabor de la tierruca (1882),
de José M.ª Pereda.
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Tradición e interculturalidad. Las relaciones entre lo culto y lo popular (siglos XIX-XX)
La metamorfosis de la Rámila. Ilustración de Apeles Mestres para El sabor de la tierruca (1882),
de José M.ª Pereda.
Pereda y el cuento popular: el costumbrismo... Raquel Gutiérrez Sebastián
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$025(6 0RQWVHUUDW Catálogo de cuentos folclóricos reelaborados por escritores del siglo XIX,
0DGULG'HSDUWDPHQWRGH$QWURSRORJtDGH(VSDxD\$PpULFD&6,&
«©(VFULWRUHV GHO VLJOR ;,; IUHQWH DO FXHQWR IRONOyULFRª Cuadernos de Investigación
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$<$/$ $5$&,/0DUtDGHORVÉQJHOHV©´8QDGRFHQDGHFXHQWRVµSULPHUDUHFRSLODFLyQ
GHFXHQWRVGH1DUFLVR&DPSLOOR\&RUUHDªEl cuento español en el siglo XIX: autores raros y
olvidados.6HSDUDWD6FULSWXUD/OHLGD8QLYHUVLWDWGH/OHLGDSS
%$48(52 (6&8'(52 $QD/XLVDCervantes y cuatro autores del siglo XIX (Alarcón, Pereda,
Valera y “Clarín”), 0XUFLD8QLYHUVLGDGGH0XUFLD
©(OOHFWRUHQODQDUUDWLYDGH-RVp0DUtDGH3HUHGDªHQHomenaje al profesor Juan Barceló
Jiménez, $FDGHPLD$OIRQVR;HO6DELR0XUFLDSS
%(/75É1 $/0(5Ì$ /XLV ©%RVTXHMR GH XQD HVWpWLFD GHO FXHQWR IROFOyULFRª Revista de
Literaturas Populares, YROXPHQSS
©(O FDVR GH OD RUDOLGDG D OD HVFULWXUDª Revista de Literaturas Populares, DxR 9,,,
Q~PHURHQHUR-XQLRSS
&$0$5(1$ -XOLR \ &+(9$/,(5 0D[LPH Catálogo tipológico del cuento folklórico español
Cuentos-novela, $OFDOiGH+HQDUHVHGLFLRQHVGHO&HQWURGH(VWXGLRV&HUYDQWLQRV
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3DODFLR9DOGpVªAnuario de Letras)DFXOWDGGH)LORVRItD\/HWUDV0p[LFRYROXPHQ
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&2/,1$/X]El folklore en la obra de Pereda. 6DQWDQGHU,QVWLWXFLyQ&XOWXUDOGH&DQWDEULD
'Ì$= 9,$1$ /XLV ©&RQFHSWR GH OLWHUDWXUD SRSXODU \ FRQFHSWRV DQH[RVª Anthropos,
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89
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«Entre el costumbrismo y la novela regional: El sabor de la tierruca de José María de Pereda,
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Anexo Texto íntegro de los cuentos populares recreados por Pereda en su obra
Texto 1. «El pastor en tierra de gentiles» Al amor de los tizones
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BIBLIOGRAFÍA:
$1'5e6 $/2162 5 \ &$/92 &$5,//$ - / ©0DUtD GHO 3LODU 6LQXpVª HQ La novela
aragonesa en el siglo XIX, =DUDJR]D*XDUD
$1'5e668É5(=,HGJavier MaríasGrand Séminaire de Neuchâtel0DGULG$UFR/LEURV
*52+0$11$Literatura y errabundia: Javier Marías, Antonio Muñoz Molina, Rosa Montero.
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« ©/RTXHQRVXFHGH\VXFHGHªLiteratura y fantasma0DGULG$OIDJXDUD
« ©/RTXHQRVHKDFXPSOLGRªLiteratura y fantasma0DGULG$OIDJXDUD
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/23((9(*$)pOL[Isidro. Poema castellano de Lope de ega Carpio. Secretario del Marqus de
Sarriá. En que se escribe la vida del bienaventurado Isidro, Labrador de Madrid, y su Patrón divino.
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licencia impresa en Madrid, en casa de Miguel Serrano de Vargas, año de 1606. (Al fin) Dio licencia
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Université de Pau et des Pays de l’Adour
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BIBLIOGRAFÍA
$/($15vid$/9$50DQXHO
$/9$5 0DQXHO FRQ OD FRODERUDFLyQ GH $QWRQLR //25(17( 7RPiV %8(6$ \ (OHQD
$/9$5 Atlas Lingüístico y Etnográfico de Aragón, Navarra y Rioja YROV 0DGULG
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&DWyOLFRª&LWDGRFRPR$/($@H
$/9$50DQXHOEl dialecto aragonés0DGULG*UHGRV
%(/75É1 0$57Ì1(=$QWRQLRIntroducción al folklore aragonésYROV=DUDJR]D(GLWRULDO
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«©7UDGLFLyQ RUDO FRVWXPEUHV \ OLWHUDWXUD SRSXODU HQ $UDJyQª HQ Localismo,
costumbrismo y literatura popular. V Curso sobre lengua y literatura en AragónHQ0$,1(5-RVp
&DUORV \ (1*8,7$ 875,//$ -RVp 0 HGV =DUDJR]D ,QVWLWXFLyQ ©)HUQDQGR HO
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%25$2 -HUyQLPR Diccionario de voces aragonesas =DUDJR]D ,PSUHQWD \ /LEUHUtD GH '
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%8(6$ 2/,9(57RPiV©3DUWLFXODULGDGHVGHOHVSDxROKDEODGRHQ$UDJyQªHQ(1*8,7$
875,//$ -RVp 0 HG Jornadas de Filología Aragonesa. En el L aniversario del Archivo de
Filología AragonesaYROV=DUDJR]D,QVWLWXFLyQ©)HUQDQGRHO&DWyOLFRªYRO,SS
'&(&+vid&2520,1$6-RDQ
&2520,1$6 -RDQ FRQ OD FRODERUDFLyQ GH -RVp $QWRQLR 3$6&8$/ Diccionario crítico
etimológico castellano e hispánicoYROV0DGULG*UHGRV&LWDGRFRPR'&(&+
(1*8,7$ 875,//$-RVp0©$OJXQDVFRQVLGHUDFLRQHVIRQpWLFDVVREUHODVFRSODVGHOD
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-RVp 0 HG Jornadas de Filología Aragonesa. En el L aniversario del Archivo de Filología
AragonesaYROV=DUDJR]D,QVWLWXFLyQ©)HUQDQGRHO&DWyOLFRªYRO,,SS
)2= < 321= 9LFHQWH Prontuario del buen hablista o novísimo consultor prosódico ortográfico.
Primera parte=DUDJR]D7LSRJUDItDGH0(VFDU>FRQWLHQH©9XOJDULVPRVYLFLRVGH
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*$5&Ì$$5,67$*UHJRULRDiccionario de la lengua española en su variedad aragonesa>ILFKHUR
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*5$1 (1&,&/23(',$ $5$*21(6$ YROV PiV YDULRV $SpQGLFHV =DUDJR]D
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0$57Ì1=255$48,120$QWRQLD\-RVp0(1*8,7$875,//$Las lenguas de Aragón
=DUDJR]D&$,
021(9$ < 38<2/ -XDQ Vocabulario de Aragón >K @ (G \ HVWXGLR GH -RVp /XLV
$/,$*$ -,0e1(= =DUDJR]D ,QVWLWXFLyQ ©)HUQDQGR HO &DWyOLFRª3UHQVDV 8QLYHUVLWDULDV
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$5,(9LFHQWHLo judío en el teatro español contemporáneo0DGULG(GLWRULDO3OLHJRV
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Universidad de Zaragoza
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Universidad de Zaragoza
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Una nueva oralidad: la comunicación audiovisual... José Domingo Dueñas Lorente
241
BIBLIOGRAFÍA
%(/75É1 /XLV La imaginación literaria. La seriedad y la risa en la literatura occidental, V O
0RQWHVLQRV
&$67(//60DQXHOComunicación y poder0DGULG$OLDQ]D(GLWRULDO (&2 8PEHUWR Lector in fabula. La cooperación interpretativa en el texto narrativo, %DUFHORQD
/XPHQHGLFHG&RQVXOWDGD
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DFHUFDGHODFRQILJXUDFLyQGHOUHFHSWRUªLenguaje y textosGLFLHPEUHGHSS
)(55e6 , 35$76 - ©/D WUDQVIRUPDFLyQ GHO SDLVDMH FRPXQLFDWLYRª Lenguaje y Textos
SS
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2/'0($'2:+DUU\Mircea Eliade y Carl G. Jung. Reflexiones sobre el lugar del mito,
la religión y la ciencia en su obra, %DUFHORQD2ODxHWD(GLWRU
52'5Ì*8(= $/02'Ð9$5 $ El texto infinito. Ensayos sobre el cuento popular 0DGULG
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ÍNDICE
Introducción
Yvan Lissorgues, Université de Toulouse ...........................................
9
I. Tradición e interculturalidad
José Manuel Pedrosa, Universidad de Alcalá
De los funerales grotescos de Pepe Botellas en Madrid y Cádiz (julio de
1812) y de otras efigies burladas....................................................
19
Dolores Thion Soriano-Mollá, Université de Pau et des Pays de l’Adour
La esencialidad de lo popular en Madrid ou Observations sur les moeurs
espagnoles (1825) .....................................................................
35
Marta Giné Janer, Universitat de Lleida
Viajes de los textos (traducciones y adaptaciones en La Ilustración Española y Americana (1869-1905) .......................................................
47
II. En las fuentes de la cultura popular: encuentros
y desencuentros
Luis Beltrán Almería, Universidad de Zaragoza
Apuntes para una teoría de la cultura popular ..................................
61
Rocío Charques Gámez, Université de Pau et des Pays de l’Adour
Lo culto y lo popular en las tradiciones vascas y pirenaicas de Gertrudis
Gómez de Avellaneda .................................................................
69
Raquel Gutiérrez Sebastián, Universidad de Santander
Pereda y el cuento popular: el costumbrismo y la reinvención de la tradición
oral .......................................................................................
81
Carole Filière, Université de Toulouse II-Le Mirail
Leopoldo Alas Clarín y lo popular: apuntes y perspectivas .....................
95
Christian Manso, Université de Pau et des Pays de l’Adour
El substrato popular en el surrealismo de Azorín ................................
103
José Luis Calvo Carilla, Universidad de Zaragoza
El Javier Marías de Los enamoramientos: cartografías del sentimiento
amoroso ..................................................................................
107
243
244
Tradición e interculturalidad. Las relaciones entre lo culto y lo popular (siglos XIX-XX)
III. Fiestas, espectáculos y espacios de sociabilidad
Enrique Rubio Cremades, Universidad de Alicante
La imagen de la romería de San Isidro en la literatura del siglo XIX ......
123
M.ª de los Ángeles Ayala, Universidad de Alicante
Las diversiones callejeras en la literatura costumbrista ..........................
135
Béatrice Bottin, Université de Pau et des Pays de l’Adour
El TEU de Granada y las fiestas populares: los clásicos al alcance del pueblo
(1952-1959)............................................................................
149
Bénédicte de Buron-Brun, Université de Pau et des Pays de l’Adour
«El Barrio Húmedo». Paseo por las tabernas leonesas ..........................
157
José M.ª Enguita Utrilla, Universidad de Zaragoza
La religiosidad y su representación popular. A propósito del dance de Mainar (Zaragoza) .........................................................................
167
IV. De la tradición: agentes, estrategias de vulgarización
y comunicación de masas
Borja Rodríguez Gutiérrez, Universidad de Santander
Eco solemne de la multitud. José Zorrilla, poeta popular ....................
183
Esther Saldaña, Université de Pau et des Pays de l’Adour
El judío, un personaje de la tradición literaria en la obra de Concha Espina ..
191
Inmaculada Rodríguez Moranta, Universitat Rovira i Virgili
Liras y lanzas: los caminos cruzados de Helios y Alma Española ...........
201
Marisa Sotelo Vázquez, Universitat de Barcelona
Eugenio d’Ors: Cultura de élite y aristocracia de la conducta.................
213
Blanca Ripoll Sintes, Universitat de Barcelona
Dos modelos críticos en Destino: Antonio Vilanova y Rafael Vázquez-Zamora ......................................................................................
221
Maite Gobantes Bilbao, Universidad de Zaragoza
Objetividad, narración y sentido de la realidad en el periodismo ............
229
José Domingo Dueñas Lorente, Universidad de Zaragoza
Una nueva oralidad: la comunicación audiovisual de masas. Estrategias
comunicativas y configuración del receptor ........................................
235
978-84-9911-223-7